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Voodoo Child The End Of Everything LP – CD Trophy Records

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Sissi Rada Serious Songs

Across two song cycles, Richard Wagner's Fünf Gedichte für eine Frauenstimme (the Wesendonck Lieder) and Johannes Brahms' late Vier Ernste Gesänge (Four Serious Songs), separated by nearly four decades, Wagner's songs - written under the spell of his relationship with Mathilde Wesendonck and already pointing toward Tristan und Isolde - and Brahms' final composition, namesake to the album, shaped by grief, illness and meditations on biblical texts, circle the same existential questions. Desire and mortality, ecstasy and resignation appear less as opposites than as mirrored states. The voices of Wesendonck's poetry seem to answer the solemn reflections of Ecclesiastes and Corinthians, revealing an unexpected dialogue across time. Without seeking historical authenticity or revisionist spectacle, Serious Songs listens for what still resonates beneath these works: the suspended moment where love, loss and transcendence become indistinguishable. The harp assumes the role of the piano as the foundation, pulse and emotional compass. The vocal line, liberated from classical convention, inhabits a contemporary expressive space without severing its bond to the original scores. It is Romantic music viewed through the acoustics of the present. The project emerged from a moment of professional disillusionment familiar to many classically trained musicians. This led to a confrontation with some of classical music's traditional flaws that became an invitation to reimagine it. Sissi Rada approaches the spinal properties of the Romantic Lieder, fragile enough to transform and resilient enough to survive. Intimate, lucid and quietly radical.
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