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Voodoo Child The End Of Everything LP – CD Trophy Records

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THE FUNAMBULIST ISSUE 51 - January-February 2024

Undocumented International is determined to look at the spaces of the border regime well beyond the border itself (on both of its sides), while simultaneously looking at what the border crosses rather than at the people who cross it. It is dedicated to centering undocumented people’s autonomous political organizing beyond their interactions with the documented population (including Global North anti-racist activists who, for many, are born with a citizenship their parents or grandparents did not have). And finally, this issue deliberately favors a discourse that distinguishes between undocumented/documented from an often-assumed opposition between migration and Indigeneity, or even an automatic association between being undocumented and migration. In order to do so, it features contributions about/from the Dominican Republic and the US (Lauda Virginia Vargas), France (Mogniss H. Abdallah), South Africa (Kudakwashe Vanyoro), Britain (Loraine Masiya Mponela and Helen Brewer), Comoros (Maëva Amir), as well as a more comprehensive conversation about border imperialism (Harsha Walia) and the act of forging passports (Mahmoud Keshavarz and Shahram Khosravi). As for the cover (chosen from the agence IM’média archives), it features Sans-Papiers activists Camara Hamady, Madjiguène Cissé, and Aboubacar Diop in 1996 Paris. This issue’s cover was created by Maya Mihindou. It features a conversation about water, salt, bodies, and the Black Atlantics between Alexis Pauline Gumbs and Christina Sharpe, two analyses of the micro-societies hosted by ships (Renisa Mawani and Marcus Rediker), a long-format interview of Quito Swan about Black Internationalism from Bermuda and Africa to Melanesia (Vanuatu, Papua, and Kanaky) and Aboriginal Australia. Another interview with Talei Luscia Mangioni describes the transnational struggle against nuclear colonialism in Oceania. As for Anaïs Duong-Pedica and Sarah Pelage (accompanied by an artwork by Annabelle Wané), they articulate a short history of Kanak feminisms in the broader Oceanian context. The issue ends with a moving recollection of what was once the large Tamil Sea from Eelam to Java by Sinthujan Varatharajah. This issue’s “News from the Fronts” talks about the noxious liberal approach to the Chicago Police Department (Benji Hart), makes the story of Armenian hero Monte Melkonian surge into the internationalist left’s imaginary (Garine Boghossian), and articulates the struggle against the two-headed imperialism of the U.S. and the People’s Republic of China (JN Chien – Lausan).
  • ISSUE 51 - January-February 2024
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