Forty years ago, on July 8th and 9th in 1981, a group formed by the splintering of some of Bristols essential post punk bands, entered the hallowed studio at Berry Street in London to record their debut single. What would emerge was not only an exuberant post funk classic on the A-side, but also a wildly influential dub workout on the flipside, whose reverberations can still be heard today. Both songs have proven essential in very different ways. Celebrating this occasion, 1972 Records will lovingly reissue this landmark 12 from Maximum Joy, with Stretch (12 Version) backed with Silent Street - Silent Dub, available on September 24, 2021.
A focal point for the unique punk-funk that was coming together in Bristol as the bridge from the 70s to the 80s arrived, Maximum Joy was formed by Glaxo Babies multi-instrumentalist Tony Wrafter and 18 year old vocalist and multi-instrumentalist Janine Rainforth. Soon they drafted in additional Glaxo Babies in the form of drummer Charlie Llewellin and bassist Dan Catsis, along with guitarist John Waddington, fresh from The Pop Group. The group set about making a one-of-a-kind mix of funk, punk, pop, jazz, dub, soul, afrobeat and reggae; creating a brilliant charge of danceable tunes wrapped around elastic basslines and complex percussion, punctuated by melodic horns and stabs of guitar, all of it highlighting Rainforths naturally enthusiastic vocal style.
Bursting at the seams, Stretch feels like it can barely be contained within the studio walls. Rainforth delivers a vocal performance that can only be found within the freedom of someone recording their first ever single. Im not lying when I say there isnt another song that sounds quite like it. The groups love of funk is evident on Stretch, but the heavy influence of dub and reggae from their surroundings shapes the moody skitter of Silent Street. Here, the sing song vocals seem to drift across the heavy late night air. The two songs are wildly different, yet both could only have come from this key collection of players. Paired with the likes of The Pop Group, The Slits, The Raincoats and the On-U-Sound collective, Maximum Joy still stands out as a unique voice in the movement.
Y Records head Dick ODell would join the sessions and give the release a warm home in the UK alongside Shriekback and Pigbag. When 99 Records in New York took on the US release, Maximum Joy made perfect sense next to the roster, being equal parts ESG and Liquid Liquid. This 12 has been a staple for DJs in the know since day one, and 1972 is happy to be able to restore it to its original glory and make it available once again. The release features the original sleeve, including the iconic cover photo of Janine by Geraldine Ewer.