Over the past decade, the visionary musician Arthur Russell has entered something close to the mainstream.
Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as hes ever been. Thanks to Russells partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russells vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. Theres the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him.
Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russells dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russells utterly distinct songwriting. And although Russell could be inscrutably single-minded, he was never totally solitary. Collaborating here is a stacked roster of downtown New York musicians, including Ernie Brooks, Rhys Chatham, Henry Flynt, Jon Gibson, Peter Gordon, Steven Hall, Jackson Mac Low, Larry Saltzman, and David Van Tieghem. Musician Peter Broderick makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing.
Several tracks on Iowa Dream Russell originally recorded as demos, in two early examples of his repeated brushes with potential popular successfirst in 1974, with Paul Nelson of Mercury Records, and then in 1975, with the legendary John Hammond of Columbia Records. For different reasons, neither session amounted to a record deal. Russell kept working nearly up until his death in 1992 from complications of HIV-AIDS.
At once kaleidoscopic and intimate, Iowa Dream bears some of Russells most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s. For Russell, Iowa was never very far away. I see, I see it all, sings Russell on the title track: red houses, fields, the town mayor (his father) streaming by as he dream-bicycles through his hometown. Russells childhood home and family echo, too, through Just Regular People, I Wish I Had a Brother, Wonder Boy, The Dogs Outside are Barking, Sharper Eyes, and I Felt. Meanwhile, songs like I Kissed the Girl From Outer Space, I Still Love You, List of Boys, and Barefoot in New York fizz with pop and dance grooves, gesturing at Russells devotion to New Yorks avant-garde and disco scenes. Finally, the long-awaited You Did it Yourself, until now heard only in a brief heart-stopping black-and-white clip in Matt Wolfs documentary Wild Combination, awards us a new take with a driving funk rhythm and Russells extraordinary voice soaring at the height of its powers. On Iowa Dream, you can hear a country kid meeting the rest of the worldand with this record, the world continues to meet a totally singular artist.