Resoundingly adored for her ice cool poise and penetrative lyrics in noirish dub-pop duo HTRK, Jonnine's music has long provided a timeless, classic antithesis to modernity. She is a rare, anachronistic spirit within contemporary music and brings a signature sense of restraint and class to Super Natural; her debut suite of solo recordings channelling the sass of Twin Peaks Audrey Horne as much as Leslie Winers elegant, druggy proto trip pop.
Recorded between Peru, Hawaii, and Jonnines native Australia, Super Natural unfolds a succinct grimoir where she acts as liminal interpreter for immanent devotions that divine a poetic and romantic sense of mystery from the everyday. Encouraged by her therapist, who urged her to explore a solo identity for years, she here gives a confessional voice to ambiguous inner guides that have helped to prompt some of her best songwriting, as found here and on HTRKs recent Venus In Leo album.
In the deliciously woozy low pressure system of her opener Youre Wanting It To Go This Way, those spirits instinctively lead her down a path of self-reflective nihilism accentuated with curdled guitar and a thumping 808 heartbeat, before her partner and collaborator Conrad Standish (CS + Kreme) supplies backing vocals that tenderly accentuate the knackered tristesse of I Dont Seem Myself Tonight, which is also buoyed by Mona Ruijs subtly plangent gong tones.
But its HTRKs other half Nigel Yang that most distinctively underlines Jonnines mantric lyrics about the push/push of love in You Can Leave The Vampires with patented, pensile sensuality in a manner we've honestly become totally obsessed with, before the EP shores up with Scorpio Rises Again, an instant classic framing Jonnine against stalking, plucked bass, finger-clicks and whistle by Conrad Standish, a denouement surely worthy of a closing scene in the next Lynch.